In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Netherlandish painter Hieronymus Bosch (c. 1450�æäóîäóñ1516) was more than an anomaly. Bosch�æäóîíšs paintings are populated with grotesque scenes of fantastical creatures succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch�æäóîíšs day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was �æäóîäóìskating on ice�æäóî¥Ë_�æäómeaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator.
Bosch�æäówhose real name was Jheronimus van Aken�æäówas widely copied and imitated: the number of surviving works by Bosch�æäóîíšs followers exceeds the master�æäóîíšs own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch�æäóîíšs oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons.Featuring brand new photography of recently restored paintings, this exhaustive book, published in view of the upcoming 500th anniversary of Bosch�æäóîíšs death, covers the artist�æäóîíšs complete works. Discover Bosch�æäóîíšs pictorial inventions in splendid reproductions with copious details and a huge fold-out spread, over 110 cm (43 in.) long, of The Garden of Earthly Delights. Art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential.
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